I enjoyed creating the foley for this film. I got to experiment and find lots of creative solutions. I had to cover a giant walking octopus, a sentient tree, humanoid rabbits, assorted robots, spaceship crashes and dream sequences. This lead to me making all sorts of weird and wacky props. The clip below gives a sense of one of the worlds that the characters inhabit . The award nomination was the icing on the cake! An IMDB link is available here
James Blunt’s career trajectory has been an interesting one. From a British Army tank captain to a best-selling artist to -seemingly- one of the most hated people in show business. This was followed by a career revival sparked by a willingness to verbally eviscerate himself and anyone else willing to spar with him on social media.
I completed the dialogue edit and premixed the dialogue, music and SFX for this film (I am credited as dialogue editor and re-recording mixer). Mixing fly-on-the-wall camera-sound with feeds from the back of a concerts mixing desk was tricky in places, but it was time well spent. I believe that the audience gets a good sense of who James and the band are behind the scenes. Listeners also gain a front row, surround sound experience of high points from many gigs.